Ezra 1

For soprano & chamber ensemble.  First printing.  Poems by Seamus Heaney.  Contents: Origins; Constructions; and; Celebrations; Journeys (Pilgrims, Prayer, Conflicts,

For soprano, flute, violin & cello. With program notes. Dedicated to Susan Glaser. The songs set English translations of poems by Afghan women. Spiral bound score, 18 p. and parts.

For soprano & piano. Score.

For mezzo-soprano & piano.  First printing.  Commissioned by Janet Anderson Bennett.  Texts by T.J. Anderson, III.  Contents: The Callings; The Monkey Has Died; The Tallest Man in

This work sets three poems by Pauline Kaldas. There are two percussion stations: one with pitched instruments; and one with a jazz drum set up. All players play from score. Duration ca. 16 minutes. Printed

For soprano, flute, clarinet, violin, cello, bass and piano. Second Edition. Seven songs with non-singing English translations of the texts. Score, 67 p.

For soprano, instrumental quintet & strings. First printing.  Dedicated to the Contempo Ensemble of the University of Chicago on their 50th anniversary, and to Shulamit Ran. Premiered in Chicago,

For soprano, violin & percussion.  First printing.  This piece sets an excerpt from the journal of Maria Mitchell, from 1854.  Duration: ca. 7'.  Score, 12 p. and parts.

For soprano, flute, clarinet in A & bassoon. Four poems dedicated to the Third Wheel. Score, 46 p. and parts.

For mezzo soprano & piano. Printed from manuscript. Contents: Eastern Front (George Trakl); Alone (Edgar Allan Poe); Mad Song (William Blake) and A Great Dark Sleep (Paul Verlaine). Score, 21

For mezzo-soprano, cello & piano. Printed from manuscript. Contents: O Black and Unknown Bards; Southern Mansions; Willow Bend and Weep; Old Black Men; No Images; Dream Variation; For a Poet

For soprano & 2 pianos, tuned a quarter-tone apart. First printing. Contents: Homer, The Iliad, Excerpt from the Prologue; George Seferis, Helen, Excerpt; Homer, The Iliad, Excerpt from Book IV;

For soprano & string quartet.  First printing.  Poem by Amy Lowell.  Score, 25 p. and parts.

For soprano & piano. Seven lyrics by Keats and Shelley. Printed from manuscript. With program notes. Commissioned by the State University of New York. Score, 29 p.

For mezzo-soprano & piano. An aria from the opera by Moore. The aria comes from Act II, Scene 2, and is sung by the character of Harriet Tubman. Score, 6 p.

For mezzo-soprano & piano. Contents: It Often Comes Into My Head by Walter Savage Landor; The Good-Morrow by John Donne; Bright Star by John Keats; The Owl and the

For soprano & string quartet. In one movement. This work sets a Hebrew version of the text, presented in a phonetic transliteration. Score, 9 p. and parts.

For mezzo-soprano & piano.  Printed from manuscript.  The songs set poems by W.B. Yeats.  Contents:

For soprano or mezzo-soprano & chamber ensemble. First printing. Premiered by Mary Mackenzie and Le Train Bleu in New York, February 2013. Contents: Gravity; Not sleeping; Laughter; Three hands;

For soprano & orchestra. Custom print edition. Commissioned by Kathleen Kenney Suher. The music sets a poem by Walt Whitman. Premiered in Rochester, NY, February 2015, by Jamie Jordan and the Cordancia

For soprano & steel pan. First printing. In one movement. Dedicated to Andrew Martin and Inver Hills Community College. Duration: ca. 7'. Score, 6 p.

For voice & piano. Five songs on texts by the composer: Passion; Strangers; Bliss; Silence and Lfie's Full Promise. Score, 30 p.

For soprano, flute & harp. First printing. Three movements. With performance notes. Of advanced difficulty. Score, 18 p. and parts.

For mezzo-soprano & piano. First printing. Contents: Le Parfum (Charles Baudelaire); Upon a Child that Died (Robert Herrick) and A line of Virgil. Score, 11 p.